
I continue to be amazed at the level of talent in the SYTYCDAus auditions. Here's Anthony's contemporary solo audition.
Today was the second round. Since Salt lake City had the biggest turnout ever, they had to do another quick cut. We did the improv thing for Nigel, Mary and Mandy Moore. I once again got through that round. That narrowed it down to about 85 dancers. We also did a second set of interviews, and when the producers heard I sing in a Bluegrass band, they had me sing on camera. (It was 8 in the morning and I wasn't warmed up, so it'll probably be scary)
After that we did our own choreographed solos. They were three people ahead of me, when the stage manager came running down the aisle, calling my name. He took me out into the lobby, told me to go upstairs. Okay... so I walk up the stairs and there is Cat Deeley (the gorgeous blonde British host) waiting for me! They chose ME to do a one-on-one interview with her! We talked for about 10 min on camera, and I would've loved to talk longer, but then the stage manager grabbed me again, whisked me back downstairs, and said, "you're on stage NOW". I freaked!
For 90 minutes, the legendary icon will perform her hits from across the decades merged with innovative staging and technology, breathtaking choreography by Doriana Sanchez and stunning costumes created by world-renowned designer Bob Mackie. Aptly titled, Cher at The Colosseum at Caesars Palace, the ultra-glitzy show that is as glamorous as the artist herself, opens May 6, 2008.
MTV program chief Tony DiSanto says having established teams adds a new element.
"What makes this unlike any other show is that group dynamic. It's not people who are put together. These are people who have been working together a long time to make a greater whole," he says. "The show will get into the drama and stories of these kids."
Teams will be pushed out of their comfort zones when they are asked to perform different kinds of dances under the hip-hop umbrella, DiSanto says. "If they're a b-boy crew, all of a sudden we could have them do a big, broad choreography number from the Janet Jackson Rhythm Nation video."
"Thrillercast," a groundbreaking 40-episode podcast event, launches on February 12th and will be updated weekly throughout 2008. The series features icons of music, screen and culture including hip-hop legend Darryl "DMC" McDaniels, superstars Nick Cannon and Chris Brown, choreographers Shane Sparks and Mia Michaels from the hit show "So You Think You Can Dance," and dozens of other special guests. Each episode takes us behind the scenes into their lives to explore their own personal experiences with Thriller and its influence on them, both personally and professionally. "Thrillercast" will be available for free through iTunes, Zune, and all major podcast providers, as well as directly through www.michaeljackson.com.
"Listen, I've been doing music my whole life and every up-tempo song I've ever made, you often wonder how people are going to dance to it," the 46-year-old musician told The Associated Press.
"You go to clubs, you try and find out how they're moving to it. Is the beat fast enough? Dance is like the right hand of music. There couldn't be any dance without music, right? And vice versa," he said at a studio off Sunset Boulevard where the show was taping recent auditions.
Australia has some great news! I am coming along with Kameron in April. We are going a number of places which I can't remember at the moment but I am sure about Sydney and Melbourne. We are so stoked about it and I know I'm probably not going to want to leave! If you want to find out a little more I'm sure Kameron will have all the info before me so just check out his page. We know how slow I am with mine :). I can't wait to meet Australia! Canada I'm still not sure when that will happen but hopefully soon.
Sugar and Bruno Dancewear has signed Kameron Bink to be Sugar and
Bruno’s Spokesman and Model for its new Men’s line that will be
revealed March 2nd at the DRN (Dance Retailer News) Expo in Orlando
Florida.
Kameron was an instant fit and match for Sugar and Bruno. Kameron’s
sense of fashion in his everyday wear, lead to the inspiration behind
our new men’s line. Kameron’s insight for dance and streetwear, on
and off the stage, is a perfect match for the fashionable apparel
that is being sought after in today’s market. Our entire men's line
is inspired by Kameron.
Sugar and Bruno will also be working with Kameron Bink to create a
“Kameron Signature Series,” which will include girls and guys apparel
unveiling March 2nd exclusively online at www.sugarandbruno.com.
“It’s going to be a GIANT upset. Let’s just hope Randy Moss can handle the loss better than T.O. did. Sniffle, sniffle.Giants 28, Patriots 23.” — DAN KARATY, choreographer (So You Think You Can Dance)
And then our host appears. In case you haven’t been flicking through the pages of your local TV Guide recently, the job was given to Rogue Traders lead singer Natalie Bassingthwaighte. No, wait, Bassinghthwaithe. Or is it Basghsighthwaighthte? Who knows, but there are far too many letters. I prefer Cat Deeley the minute Bassinghthwhaihththththe opens her mouth, complete with her nauseating nose inflexions and grating Australian twang.
We’re given little more time to analyse our hostess as we are instantly transported to Perth, the setting for the first round of auditions. But wait! Here she is again!
“This is an ABSOLUTE MASSIVE TURNOUT in Perth…HUNDREDS OF THOUSANDS have turned out here today!!” screams Bashingtwit as she scurries up and down the line of maybe one thousand people and assuring her audience she knows nothing about adverbs. Hundreds of thousands? It’s as if she’s insinuating the entire population of Perth were there.
"We're confident we have a hit on our hands and Australians will continue to turn on in droves to relish this type of high-spirited, energetic dance fun." "One thing that points to Dance Australia's continuing success is that fact that the ratings increased throughout its one hour 45-minute run - an indication that viewers liked what they saw and kept watching."
15yo Caleb, who was disallowed entry only on grounds of age, was a generous inclusion. Dancing to "Mad World" it wasn't hard to see why. Hopefully he finds a career before a three year wait for a show that might damage true talent.
Despite being experts in their field, Bonnie and Jason became a bit boring with their comments after each dancer … and did we really need to see Jason stopping the music with his flamboyant hand flourishes EVERY time?
There definitely wasn’t enough drama between the judges themselves. They appear to all love each other to pieces (except that brief moment where Matt disagreed with Bonnie and I thought she was going to fall off her chair) so instead they were reduced to creating drama from the contestants' life stories, which was moving but mostly irrelevant.